mAIN Production Cameras
Canon EOS C100 MK IIResolution: 1920x1080 | Max Framerate: 60fps (x2 Slow-Motion)
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CAnon EOS 5D MARK IVResolution: 4K (4096x2160) | Max Framerate: 120fps (x4 Slow-Motion)
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GoPro HERO 10 Black
Max Resolution: 5.3K (5312 x 2988) | Max Framerate: 240fps (x8 Slow-Motion)
Aerial Videography/Photography
DJI Mavic 3 CINE
Max Resolution: 5.1K (5120 x 2700) | Max Framerate: 200fps (x6.5 Slow-Motion) | RAW Format Video Recording
SECONDARY CAMERA
Canon 60D
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Support Camera: Canon vixia hfr40
Sensor-Modified CAMERAS
Small cameras, modified to pack a big punch!
FULL-SPECTRUM CONVERTED OLYMPUS SZ-10
eXAMPLE sHOTS
Infrared cONVERTED CANON pOWERSHOT A490
eXAMPLE sHOTS
lENSES And Filters
Camera Lenses
Rokinon Cine DS 135mm T2.2
CANON EF-S 18-135mm f/3.5-5.6 IS
Built-in Image Stabilization
Canon EF-S 55-250mm 1:4-5.6 IS
Built-in Image Stabilization
CANON EF 80-200mm II
Canon EF 35-80MM
Lens Filters
UV HAZE Filter
fluorescent light filter
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CPL (Circular polarizer)
NEUTRAL Density fILTERS (ND2, ND4, ND8)
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gRADUATED cOLOR Filter Set
Equipment and Accessories
VIDEO Production Rig
(ViPR)
Summary:
ShadowCast Studio's Video Production Rig (ViPR) is the backbone of our video production department. The ViPR allows us to take various pieces of equipment and combine them into one system. Equipment used with the ViPR system is shown with red titles under the Additional Imaging Assets section further down.
The ViPR provides extra stability giving us much smoother shots. It may look heavy, but it really isn't. The ViPR is built to enhance stabilization and mobility. The operator can be equipped with a load-bearing vest to further reduce the effort required to carry it around. While the ViPR is lightweight, holding it up continuously can cause fatigue over time. The vest takes the bulk of the ViPR's weight off of the operator's arms. This virtually eliminates fatigue, and ensures a smooth, steady shot, even in the later hours of a production.
Staying mobile is very important when covering live events, such as weddings. You can't afford to miss a single shot because there are no retakes. When we are setup shop in a single area, the ViPR easily mounts on a tripod just like a regular camera. Attachments are added or removed as needed to suit the circumstances. The ViPR is a very versatile piece of equipment and is just as essential to our productions as the camera itself. We'll update the pictures whenever we add something new to the ViPR.
The ViPR provides extra stability giving us much smoother shots. It may look heavy, but it really isn't. The ViPR is built to enhance stabilization and mobility. The operator can be equipped with a load-bearing vest to further reduce the effort required to carry it around. While the ViPR is lightweight, holding it up continuously can cause fatigue over time. The vest takes the bulk of the ViPR's weight off of the operator's arms. This virtually eliminates fatigue, and ensures a smooth, steady shot, even in the later hours of a production.
Staying mobile is very important when covering live events, such as weddings. You can't afford to miss a single shot because there are no retakes. When we are setup shop in a single area, the ViPR easily mounts on a tripod just like a regular camera. Attachments are added or removed as needed to suit the circumstances. The ViPR is a very versatile piece of equipment and is just as essential to our productions as the camera itself. We'll update the pictures whenever we add something new to the ViPR.
Like this camera rig? Learn how to start building your own here!
SteadiCam With Support Vest and Arm
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PROAM ORION 12 FOOT JIB CRANE
Green Screen Production Set/Portable Photo Studio
Morning Glory lighting Reflectors/SoftBoxes
ADDITIONAL iMAGING ASSESTS
Red titles = ViPR mounted equipment
Proam 10 inch Iris Pro XL mONITOR
SUNPAK ACTION VIDEO GRIP (AVG 1000)
Neewer Follow Focus
Focal Camera Tripod
Bower LED Video Light
Slider-dOLLY Hybrid
Fluid Pan-Tilt SwivEL hEAD
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Manfrotto Tripod
Rode VideoMic GO Shotgun Mic
Neewer Camera Cage
Neewer Tripod Dolly
MX 350 Tripod
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